Patrick J.J. Maveety Associate Curator or Curator of the Arts of China and Japan, Cantor Arts Center at Stanford University Job Purpose: The Maveety Curator of the Arts of China and Japan is responsible for the presentation, research, preservation, and growth the Asian Art collection of the Cantor Arts Center, including the development of the permanent collection, which includes objects from China, Tibet, Japan, Korea, India, Southeast Asia and the Philippines. The strengths of the collections are in the arts of China and Japan. The curator reports to the John and Jill Freidenrich Director, as well as works closely with other museum curators and educators, develops partnerships with faculty members, and engages students across disciplines. The Cantor Arts Center is especially interested in a curator who has knowledge of the historical arts of Asia, as well as knowledge of the contemporary art of the region, someone who can build bridges between old and new, as well as Asian art and the art of other continents. The curator will offer new perspectives on the historic collection, while also addressing and integrating contemporary Asian art into the museum’s program. The curator actively will pursue and recommend both historic and contemporary Asian art acquisitions, as well as foster relationships with donors and other supporters of the department. The Maveety Curator works closely with the museum’s curators in a collaborative environment that encourages the development of innovative programs, exhibitions, and acquisitions. As a thoughtful member of the curatorial team, the curator will bring in-depth knowledge of art history and museum practice to assist in implementing an exciting vision for the museum. He or she will be driven by interests in particular artists, mediums, regions, and ideas; rigorous art historical scholarship; dynamic museum programing; and campus and public engagement. The curator will be expected to propose and realize major exhibition projects within his or her field of expertise. These projects may take cues from the Cantor’s permanent collection, be built from loans from other institutions and collections, or a combination of these two sources. Major publications, conceived as meaningful contributions to the field on the issues addressed in the exhibition, will accompany these projects. The curator also will help to conceive and implement academic and public programs. About us: Cantor Arts Center boasts a proud and venerable history. Conceived with the founding of Stanford University in 1891, the museum opened in 1894, serving the University and the broader community. The 1989 Loma Prieta earthquake damaged the museum, necessitating its closure to the public. In 1995 groundbreaking for a major new wing and restoration of the historic building began in earnest with the revitalized museum opening in 1999 as the Iris and B. Gerald Canto Center for the Visual Arts. The Cantor offers approximately 50,000 square feet exhibition space, as well as classrooms and other study spaces for students and faculty. Collections include art from Europe and America, both historical and contemporary; Asia, primarily Japan and China; Africa; Oceania; historical works from Mexico, Central America, and South America; and the Stanford Family Collection.
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